Though the interface can be a bit kludgy and buggy, I find myself using more due to their greater selection of fonts available for both web + print (so useful for branding projects that span a variety of media) and the fact that I can choose to self-host fonts.
I was an early adopter of Typekit and I respect the Typekit team immensely for their leadership and generosity within the web fonts space. I hope.I believe it is mostly a matter of time. It is expertise that must be acquired because the freedom to choose from among thousands of fonts is of potentially so much greater consequence than choosing from among the same old handful of web-safe system fonts as everybody else.As more and more designers become more and more familiar with fonts as tools engineered to meet specific requirements, the more they will be emboldened to break away from the pack. But in the age of web fonts, knowing what ingredients are needed to make a working web font is no longer useless information. What difference did it make?Like a prisoner in solitary confinement, whatever was on the dinner plate they handed you, you ate. What was in the font or how it was prepared was irrelevant. Fonts are still, nearly always, conceived as graphic arts tools where the requirements are, in some respects, less stringent than browsers and in some respects, more stringent than in browsers.In the age of system-fonts-only, designers had no choice but to use what they were given. Almost all of those fonts were NOT designed as screen fonts with performance in browsers being the top concern. And there is only so much time a designer is going to waste before giving up the hunt and following the rest of the pack.So, I think it’s not so much the safety of “known quality” that has designers closing ranks behind a small set of fonts as much as it is fear of the “unknown quality” of the fonts in the seemingly bottomless pits at sites like MyFonts or Fontshop. There is no ‘International Society Of Web Font Engineers’ stamp of approval, there is no regimen of tests applied by the vendor to assess whether or not a font is fit for use as a web font, no, there is only USER BEWARE.Ĭaveat Emptor. But vendors leave the evaluation up to the customer. There are thousands of fonts that are, for one reason or another, unsuitable or, at least, very problematic for web use.
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I know I’ve found a cool font and tried to use it, only to realize it has bad character support or weird kerning when used on the web-or even worse (and all too common-i swear no one checks these things on windows machines), bizarre cross browser compatibility on google fonts”I think a lot of designers share dot’s frustration. Dot wrote:“I think a great deal of the same reuse of typefaces comes from known quality.
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Upon further investigation I discovered many sites are self-hosting Circular, yet at the almost $1,000 price tag for a basic web use license from Lineto, I find it very hard to believe that the typeface is being used legally on most sites.Īre web designers just pirating Circular or is there a more affordable licensing alternative that I have overlooked?. I recently noticed the popularity and widespread use of Lineto’s Circular, and considered using it myself, but so far I have not found a web font service that offers Circular in their catalog.
I know i’ve found a cool font and tried to use it, only to realize it has bad character support or weird kerning when used on the web - or even worse (and all too common–i swear no one checks these things on windows machines), bizarre cross browser compatibility on google fonts Do you have some suggestions on good, quality typefaces, particularly on google fonts, that are underused but excellent? I’d love to find some, but i just don’t have time to test them all out. I think a great deal of the same reuse of typefaces comes from known quality.
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